In advance of a major sale of Constructivist art that takes place in Amsterdam next week, Christie’s online magazine has a useful guide to the movement that began in revolutionary Russia and swept across the world with far greater success than the politics of the same origin.
“As supporters of the political ideologies propagated by Russian revolutionaries, Constructivists imagined art as an active agent in the Socialist cause. Art should reflect the modern industrial world, and, above all, be accessible to the masses. Members of the group strived to make art that was relevant in a rapidly changing world, that was free from academic tradition, and devoid of any emotive or subjective properties.”
“Constructivists considered their art a product of an industrial order, rather than a unique commodity, and a precursor to the factory-produced mass-made object. They often explored collective ways of working, and regarded the object-maker as a builder or engineer rather than as an individual artist … Many of their works, both two-dimensional and three-dimensional in form, are characterised by their austere, angular geometric shapes.”
Their influence in early Soviet life was profound.
However, after Stalin suppressed the Constructivists, the movement moved abroad influencing the Bauhaus, De Stijil, Zero, and Geometric schools through the 1980s. The precepts of the movement has inspired artists such as Paul Klee, Piet Mondran, Vasily Kandinsky.
Does Constructivism survive today?
“Absolutely. Constructivism has influenced many contemporary artists making art with computer programmes, with a lot of today’s abstract art having roots in the Constructivist movement of the 1970s.”
A useful article.
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Deconstructing Constructivism | Jak