The only urban planner on City Council, Colleen has been an active opponent of the City’s planning policies and processes. Moreover, against vigorous opposition from City staff and their minions, she recently managed to get Council to approve the establishment of an independent Auditor General’s office to ensure that, over time, that Vancouver tax payers get good value for the decisions made by Council.
Colleen is a keen proponent of a City Plan to rationalise development in our growing metropolis. However, she wants to make sure that the people of Vancouver have more say in the future than the tenured staff at City Hall. In furtherance of this,
“Colleen plans to visit every neighbourhood within the boundaries of the City. In each case, she will meet with organizations within neighbourhood boundaries including but not limited to residents’ associations, BIAs, community centers, heritage, and faith-based groups to take a detailed look at where to best accommodate growth of approximately 1,000 new dwelling units per neighbourhood over the next decade.”
Note that this meeting is scheduled to take place in the Activity Room above the Britannia Ice Rink.
Today would have been the 85th birthday of Richard Brautigan.
There were entire decades during which I read and re-read the complete Brautigan canon every single year. After Dylan Thomas, Richard Brautigan was my most important influence. He was especially valuable to me in giving inspiration and value to my flash fictions and poems.
I read and re-read the koans that are the stories in “Trout Fishing In America“, the utter tripiness of “In Watermelon Sugar,” the essential genre pastiches such as “The Hawkline Monster,” “Sombrero Fallout,” and “Dreaming of Babylon“, the straightforward vulnerability of “The Abortion.” And the poetry. Every year I read them, for decades.
He is sorely missed.
I know quite a few people who collect vinyl records. Some, at least, consider themselves on the green end of the ecological spectrum, I am sure. I wonder if they’ll continue their hobby after reading this disturbing article about the manufacture of PVC and the pollution that production causes.
“The process of producing PVC compound is complicated. There are numerous phases, a campus of buildings, tall silos, deep vats, busy machines, as well as many workers in hardhats, hairnets and safety glasses.
“PVC contains carcinogenic chemicals, and the operation produces toxic wastewater that the [world’s primary PVC production] company has been known to pour into the Chao Phraya River according to Greenpeace, which says TPC has “a history of environmental abuses” going back to the early 1990s.”
As in Thailand, the US has a bad history of PVC production:
“In the 70s, the Keysor-Century Corporation, located north of Los Angeles, supplied about 20m kilos of PVC a year to the US record industry. That amounts to about one-third of the total annual amount used in the country at the time. Keysor-Century was an illegal polluter. The corporation had been under investigation by the Environmental Protection Agency since 1977. It was revisited by the EPA in the early 2000s, this time with the FBI, which resulted in a $4m fine and public apology for lying about exposing workers to toxic fumes, releasing toxic chemicals into the air and dumping toxic wastewater down the drain …
“During the US sales peaks of the LP, cassette and CD, the US recording industry was using almost 60m kilos of plastic a year. Using contemporary averages on greenhouse gas equivalent releases per pound of plastic production, as well as standard weight figures for each of the formats, that is equivalent to more than 140m kilos of greenhouse gas emissions each year, in the US alone. Music, like pretty much everything else, is caught up in petro-capitalism.”
So, environmentally speaking, streaming seems the better choice.