I love colour. I try to show this is in my art work and photographs with varying degree of success. The always valuable Creative Report brings me news of a new book called “The Atlas of Rare and Familiar Colour” that really intrigues me.
The shelves of the Forbes Pigment Collection, based in Harvard University’s Art Museum buildings, are organised mostly by hue. The effect of this “curious chromatic ordering” ensures that the archive resembles “an installation exploring the very nature of painting”, as colour historian Victoria Finlay writes in the foreword to An Atlas of Rare & Familiar Colour, a new book that catalogues highlights from the collection. Published by Atelier Éditions, the Atlas features images by photographer Pascale Georgiev of a handful of the collection’s 2,500 rare pigments and examines their material composition, providence and application …
Many of the colours are rare and some are unlikely to be made ever again. Finlay writes that Indian Yellow, for example, originally came from the urine of cows that had been fed mango leaves, while Mummy Brown – as the name suggests – really was collected from the mummified bodies of ancient Egyptians (and was still available in London in the 1920s, courtesy of Roberson).